A couple years ago, I decided to change my approach. I'm a little bit out of touch with what the newbs are doing these days, but when I started it was all about postcards and hitting the streets with a headshot in hand. Okay, I admit I was never one to do the whole physical drop off thing, it just seemed like wasted effort to me. But I did send headshots out with cover letters. In fact, one had a CD raving so much, he called in for a co-star on a major television show. When I didn't get that role, he called me in again for another. And another. Flash forward five years later... that CD has now graduated to one of the fanciest offices in the city is still calling me in for other shows. He's my favorite. Doesn't matter how big I get, I will take that man's phone call whenever he wants me to consider a project.
Then we all quickly transitioned into a workshop culture, and I did those too. I was even called in from them a number of times. But honestly, I didn't get called in enough to spend forty bucks a pop. So I stopped. (Well, more or less. I am flirting with the idea of taking a choice few here and there again though. Are people still doing it?)
All this was working-ish, but at a pace that just about drove me bonkers. So a couple years ago I decided to make a shift. I decided that I was going to devote most of my energy to going directly to the source, meeting talented filmmakers who were out there doing it on the independent scene. It's all who you know, right? Well I needed to "know" a hell of a lot more poeple than I did at that time.
I started going to festivals and getting involved in industry organizations. I started to write a feature so that I had something to contribute. I started spending a huge amount of time organizing coffee/drinks/hikes with contacts and attending events to get out and support their projects.
Has it worked? Well... I'm currently developing 3 short films and a feature with people I "know". Last week was the Sundance Next Fest in Los Angeles and sadly, I was out of town. Yet a programmer from a major film festival emailed me this week asking why I didn't attend.
"It was a blast, of course. But if it means anything, your absence did not go unnoticed."
Wow,
blush! Though it's a bit silly because I consider this big shot to be a friend, it still made me feel like Molly Ringwald at the end of Sixteen Candles when Jake Ryan waves at her: Meeee??
Then this week I was scheduled to grab a coffee with a CD I met during an event for women in the industry. She read my screenplay is so supportive, she has agreed to jump on board pre-financing in order to help me attach a star and get the thing made. My phone chimed yesterday with a new audition notification; that casting director was bringing me in for a national commercial. I immediately confirmed and fired off an email.**
"Was going to ask if we were still on for tomorrow, but I guess you're in a session! Should we reschedule to next week?"
Her response...
"I was just going to email you to tell you! Ha! I saw you were submitted so thought at least if I have to cancel on you I can bring you in."
Uhhh.... Abso-fucking-lutely. You can do that to me any time you want.
I don't know guys... I think the new approach is working.
**Holy smokes! I'm in this crazy position where I can just, you know... casually email the CD after getting a big audition notice. What?!? Who am I right now?? What a different universe from 5 years ago.